“Love has changed, so stories also will change. Tell me, if you fall in love, will you send your special someone kitaab mein purza daal ke (notes hidden inside books)? Now, the grammar of relationships has changed. Now it’s all about a boy saying, “Hi Mom. This is so and so..we are friends..and this weekend we are going to Darjeeling.” Conversations and connections are becoming easy now. Pehle the boy would stutter and stammer in front of his mom. He would be like, “Maa.. Maa.. yeh yeh.. he wouldn’t be even able to take the girl’s name..and just say, yeh mere college mein..” And it was up to the mom to fill in the gaps. Time, people and language have changed, so scenes also have to change. In today’s films, mothers speak in English and drive cars. This is good progress. If the woman has changed, then stories will also change.” – the inimitable Gulzar
Read this brilliant interview of Gulzar’s by Harneet Singh.
*This extract has been reproduced from Mint, published on May 10, 2016.
Michel Gondry (1963 – present)
French independent film director, screenwriter and producer, he is noted for his inventive visual style and distinctive manipulation of mise en scène. He is well known for his music video collaborations with The Chemical Brothers, Björk and The White Stripes.
He won an Academy Award for Best Original Screenplay as one of the writers of Eternal Sunshine of the Spotless Mind (2004), which is often ranked one of the greatest films of the 2000s.
Films of Note: Human Nature (2001), Eternal Sunshine of the Spotless Mind (2004), The Science of Sleep (2006), The Green Hornet (2011), The We and the I (2012), Mood Indigo (2013), Microbe & Gasoline (2015)