A scene from F.W. Murnau’s silent classic, ‘Sunrise’ (1927). Photo: Special Arrangement by The Hindu
“A lot of modern anxieties and pathological conditions are rooted in the experience of the city. Fears like agoraphobia and claustrophobia, the fear of heights or acrophobia are all essentially associated with modern urban space and architectural forms — small apartments, elevators, stairwells, high-rises — and perhaps even occur as a result of such spatial constraints and demands. A number of films have explored these ideas in a variety of ways.” – Sucheta Chakraborty for The Hindu
Sucheta astutely observes and deconstructs the ways in which spaces are used to set the mood and tone in the movies – how they are given a character that will interact with the actors and propel the story forward. She links that to directors and movies which pioneered these ideas comes up with a wonderful article.
To read the full article, click here.
“Kashyap has a special relationship with Mumbai and especially its underbelly. Some might say he is Mumbai’s Orpheus who constantly makes a journey to those hellholes and back so that he could tell us their stories. Be it Ugly, The Girl in the Yellow Boots, Bombay Velvet and now Raman Raghav 2.0, the city has always been Kashyap’s muse. And it is not surprising. For it was under the tutelage of his mentor Ram Gopal Varma, Kashyap wrote that famous Bombay gangster movie of all time, Satya.” – Sayantan Mondal for Jamuura.com
Anurag Kashyap is among the most revered directors in the country today with cinegoers thronging the theatres every time one of his films release. And although he began in the indie/underground space (his first film Paanch remains unreleased but very widely viewed, thanks to torrents), he has very meticulously built himself into a brand that grants his movies very successful openings at the multiplexes. As a youth icon, he echoes their views – whether radical or pragmatist and progressive – and his anti-establishment statements via his movies have won him fans. He has been open with his stories of struggle while trying to find a foothold in the industry and his personal life, making him a rare director that people love to hear talk in front of an audience, as well as from behind the camera. His recent films may not exactly have set the box office to fire, but he remains a solid inspiration for aspiring filmmakers.
Read more about Kashyap’s commentary on urban life and decadence; strong statements that he makes through his movies.